Showing posts with label immigrant. Show all posts
Showing posts with label immigrant. Show all posts

Paper Daughter: A Memoir Review

Paper Daughter: A Memoir
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Paper Daughter: A Memoir ReviewPaper Daughter is a rich memoir of cultures crossing, as many reviewers have noted. It is also a valuable addition to the literature of class in America. But I find it has stayed with me most of all as a story about family, and especially about the terrible love that connects so many of us with our parents.
Mar's rendering of her early childhood in Hong Kong is beautiful, capturing the satisfaction of a child who feels safe, known, and well-cared-for; she describes her family's meager resources with care and no rancor, making clear that for her, the world was rich and complete. One of my favorite images in a long time is of little Man Yee arriving at school asleep, snuggled up against her mother's back for the walk there. And if there is one moment of plain peace in this novel, it is when Mar, having completed with her mother the arduous and anxious journey from Hong Kong, is reunited with her father at the airport. Nuzzling against him as heart contracted and released. This was my father, and he remembered me."
What felt to a little girl like an idyll for her family, one room in a crowded walk-up with uncertain plumbing, was of course not really tenable, and her parents were compelled to make the choices they did. And surely even if Mar's American acculturation had not divided her so painfully from her parents, something else would have. Who among us has not, at some time, looked around at her family, no matter how valued, and felt herself a stranger in a strange land? (After a recent reading from Paper Daughter, Elaine Mar told the audience that she believes that when she and her mother speak Chinese, she understands almost 100 percent of what her mother says, but her mother only understands about 70 percent of what Elaine says. Thinking of myself and my own mother, I thought "yep, that's about right," even though both my mother and I are native English speakers.)
Mar's is a classically American story, of upward class mobility and the distance it puts between a young woman and her immigrant parents. But in spite of its honest treatment of an isolation so overpowering it sometimes made her nearly suicidal, Paper Daughter is nevertheless a novel infused with loyalty, love, and humor. Mar's appreciation for detail, and especially for the contours of the heart's many hungers, helps her paint a picture in which every face holds beauty and sorrow.
There is no love more intense than the one that ties us to the parents who raise us, and there is no chasm deeper than the one that opens up between those parents and ourselves. We fight with each other desperately, perhaps just to keep from letting go altogether. In Mar's family, poverty, fear, and displacement added intolerable stress to the mix, as they do for too many families. Her parents feel she can never appreciate their sacrifices, and truly it seems that they can't understand her suffering either. Yet from this impasse Elaine Mar has created a book that honors both.Paper Daughter: A Memoir Overview

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Hurricane Review

Hurricane
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Hurricane ReviewJoey Tanaka is in Trinidad, living aboard a sailboat in the marina there, when she gets word her husband has been lost at sea. The DEA believes he was smuggling drugs into the United States, but Joey knows better, her husband would never have done that. However, she has some problems to deal with, her husband had been the sailor in the family, this lifestyle is new to her and though she likes the people in the sailing community, she doesn't really know how to operate or maintain a big sailboat.
To make matters worse, she finds out her husband supposedly owed way more money than she has to a boatyard for repairs. She believes the boatyard people are lying about the bills so they can get her boat. She's in a foreign country, subject to their laws. She doesn't know what to do.
And to further add to her to her woes, American DEA agent Bill Broxton pays a call, telling her he believes her husband was involved in the drug trade. She has to get out of the country, so with her step-daughter Meiko, they sail out of the country after dark. This upsets the people from the boatyard, not because her husband owed her money, but because they hid lots of drugs on her boat, hoping to get them back when she and her husband unwittingly sailed back to America with the drugs onboard. They want their drugs back, so they take off after Joey.
Bill Broxton isn't giving up either. He partners with a smuggler and takes off after the bad guys, who are after Joey and Meiko. The question here is will the bad guys, and they're very bad, catch up to the women before the DEA guy catches up to the bad guys. Oh, and I forgot to mention, there is a Hurricane on the way and everybody is sailing right into it.
There's lots of action in this book, tension too, characters I believed in and a story that kept me burning the midnight oil as I sped through the pages. I couldn't put this one down.Hurricane OverviewJulie Tanaka's husband takes a job for a boatyard in Trinidad, delivering a yacht to California. The boat goes down, his body is washed up on the beach with pounds of cocaine and the DEA sends Bill Broxton to investigate. Julie is in Trinidad, living on board her own boat, when a process server representing the boatyard confronts her. They want to seize her sixty-foot sailboat for bills her husband had supposedly not paid, but she doesn't believe them and sneaks the boat out of the country. Unknown to Julie, the owner of the boatyard has secreted hundreds of thousands of dollars of cocaine and cash in Julie's boat, fiberglassing it into the hull and between the bulkheads. He wants the boat back with Julie dead and the only thing standing in his way is Bill Broxton.

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Brother, I'm Dying (Vintage Contemporaries) Review

Brother, I'm Dying (Vintage Contemporaries)
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Brother, I'm Dying (Vintage Contemporaries) ReviewEdwidge tells the story of a modern Haitian family, her family, with great love and courage. In addition to Edwidge's family's personal events, the year 2004 was a year of great sadness and emotion for Haiti and Haitians. It was a year that was to be the celebration of the country's 200th. birthday. Haitians were full of anger at the political situation and sadness at their inability to celebrate one of the major reasons for Haitian pride, our great history. There were also terrible natural disasters, floods that killed more people than 9/11 did. It was a sad year and Edwidge was having her first baby.
While it is often said that Haitians in the US are not political refugees but economic refugees, this book shows us that family life is tied to political life. And in the face of the political and economic situation, some make the choice to emigrate at any cost as Edwidge's biological father did, and some make the choice of serving their community in Haiti as Edwidge's surrogate father and uncle did. Each man expresses love for the family in his own way either as a provider of financial support or a provider of every day love. Uncle Joseph stayed in Haiti as long as he could. When the day came that his own home was destroyed and his life was directly threatened, he decided to go to the US with no return date. That's how he encountered his death: a family man alone in a foreign hospital, shackled, voiceless, and abandoned, because he made the mistake of asking for political asylum.
For most Americans this story will be an introduction to a type of life common to many Haitians, a life of dedication to family and of cultural transitions. Edwidge's family is a hybrid of true Haitians and true Americans. As Americans they believed in respect for national institutions. But Joseph Dantica's death showed the ugly face of the Immigration Service as an institution; an institution whose clients are all voiceless, like uncle Joseph. In his life as a throat cancer survivor and in his death Edwidge becomes his voice. A beautiful voice.Brother, I'm Dying (Vintage Contemporaries) Overview

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