A Writer's Life Review

A Writer's Life
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A Writer's Life ReviewThis is the third time I've written this review, and I feel like Talese himself when he talks about working and reworking a piece and than maybe ends up throwing it away. I think that is part of the key to his book. A writers life is messy, demanding, and often, not fun; it relies on the writers passions, what interests him, and his inborn capacity to often not get it right, not convince or please the reader-he didn't please me in many of the diverse pieces in "A Writers Life"-but then again, sometimes it clicks, as some of the other pieces do. What Talese deserves a lot of credit for is showing, not telling, or talking about the writer at work (he says just a little about that). He makes it clear by not saying it that being a writer is something like being a monk; working with spirit, the spirit of what's motivating him to write and write about what ever. Some of the pieces he's included here were simply uninteresting to me, but the book's like a smorgasbord, full of variety; he made it long enough and worked hard enough at it for it to have that effect, so I skipped and skimmed when I wasn't interested in what he was interested in.
Talese is a prose master; his style, old fashionedly enough, is discursive and inclusive at the same time. He's like a Henry James of non-fiction; unfortunately there's little of James that I have the patience and dedication to read and that's true of some of the pieces here, but I acknowledge that James is a master of fiction, and Talese is a master of non-fiction. A short review of Talese's book in "The New Yorker" ended by saying that it didn't "cohere." I thought about that, agreed for a while, and then disagreed. Although I think it's true that "A Writers Life" often reads like a cut and paste job of a lot of things that Talese wrote but didn't end up getting in print-it took courage to include those, and he could have rested on the laurels of what he has published-my final impression, until I change my mind again, is that the book is a coherent portrait of an incoherent activity, a writer at work. When a writer has a book published, that work may masquerade as something that one knocked off when the truth is it may have taken a decade or more to research write revise, maybe a number of times, and produce as is the case here.
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